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Sunday Edition


30
Apr
2003
Sound of Southern Gospel - May 2003


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image How much bearing does the quality of the audio at southern gospel concerts have on people's decision on how "good" the group is? It's something that should be overlooked by the average concert goer. Yes, the audio should be transparent to the audience at a concert. If attention is brought to the sound, then something is not right. We want the focus to be on God not the fact that folks can't hear something or that the audio is bad.

This is pretty much another general article, where I'd like to get everybody's opinions. My theory is, if I'm doing my job correctly, then nobody(except other people like me)should even know that I'm there. Now, every once in a while, mostly our of courtesy, a fan will come by and say, "you did a wonderful job." I appreciate that too! I really do! And that's fine that they do that, but that still means I had transparent sound.

When I say transparent, I mean natural, or almost like the group not using any sound equipment. I like the sound to sound the same way coming out of the speakers as it would if I were standing right there listening to them sing in my ear. Now, there are some exceptions to musical instruments. This is why I like to call myself a sound reinforcement engineer. The key word there is reinforcement. Not enhancement. It's the engineer's job to create this reinforcement without creating extra sounds that are not made naturally. The only enhancement I've considered using is low frequency enhancement. And here's why.

Low frequencies disappear very quickly the farther away you get from the source, especially with a large room and crowd. Also low frequencies are harder to control, and some of these enhancers help with the control of the lower frequencies in a system. NOTE TO FANS: If you don't like a lot of bass, sit farther away from the subwoofers. Some people ask me, "why is the bass so loud?" Well, bass frequencies can be "patchy." Where you sit really can make a difference, in particularly with the small systems most groups have to use do to traveling space requirements. Without good bass the sound would be thin and have no musical or physical energy and none of us would get to hear all of those good bass singers hit those notes that rattle the windows.

So fans, sound off on this article and sit appropriately according to your bass liking. Engineers, hang in there, fine tune your craft, and even though you'll never think your system sounds exactly how you'd like, that's what will make you better.

Reader Comments

Sound is very important, especially if I'm sitting far away from the strage and can't hear or if I'm sitting very close and it's so loud that I feel as tho the top of my head is coming off. I have been to many concerts and believe me I can tell if the sound is right. I go to concerts to be entertained, if I need a blessing I can get that in my home church or sitting on a lake as the sun rises with just me and the Lord. I don't have to drive miles and miles ( sometimes hundreds ) for a blessing. Besides if the sounds not right I can't understand the lyrics (words).
While we are on the subject, it seems as tho we're getting fewer and fewer songwriters now days. The contemporary writers just get and idea or a catchy phrase and repeat it over and over and over and the singers (performers ) can't sing.


Commented by On 05/05/2003
> This is pretty much
> another general article

I would like to see this column become more instructional rather than conversational. Some ideas:

1. Different methods of shooting a room and equipment suggestions for such.

2. You setup in a very small venue that leaves your monitors right at your feet and mains right beside your head. What options can you try?

3. How do you dial in the best sound in the house during sound check when you're running the mixer on stage? (The wives always say "It sounds fine!", so you can't rely on them.)

4. You have a lousy acoustic room, and even after shooting it and EQing the bad stuff out, you get periodic feedback. What next? Are any of the feedback eliminators (the auto-eq or the freq shift types) any help?

5. If you're lucky enough to have a band, what about their sound? What are the pluses and minuses of having the bass go DI into the board (no amp), micing his amp, or just using the amp solo? What about running the keyboard in stereo or mono?

6. Recommendations on compression. Every vocal channel? Specific vocals? Whole mix?

7. What's a polite way of telling the lady on the 3rd row of a 700 seat church "Look, if you didn't want it loud, DON'T SIT ON THE THIRD ROW!!"

8. Tips and tricks on loading, unloading, storing, sorting, packing, etc. equipment to make setup and takedown faster and easier.

9. What tools and supplies do you carry in your road emergency kit? (Connectors, soldering iron, adapters, fuses, batteries, etc.)

10. What are some of the more useful books, papers, websites, etc. for learning more about live sound.

11. Interview some of the FOH guys of the big groups to get their hints, tricks and tips.

12. Worst case scenarios. You're booked in a gymnasium. You're booked outside and it's kinda looking like rain. Two other groups pull up to the same church, all of you booked by seperate people that thought "they" were in charge of music this month.

I've got a dozen more, but considering this is but a monthly column, that's probably enough for now.




Commented by On 05/11/2003
> This is pretty much
> another general article

I would like to see this column become more instructional rather than conversational. Some ideas:

1. Different methods of shooting a room and equipment suggestions for such.

2. You setup in a very small venue that leaves your monitors right at your feet and mains right beside your head. What options can you try?

3. How do you dial in the best sound in the house during sound check when you're running the mixer on stage? (The wives always say "It sounds fine!", so you can't rely on them.)

4. You have a lousy acoustic room, and even after shooting it and EQing the bad stuff out, you get periodic feedback. What next? Are any of the feedback eliminators (the auto-eq or the freq shift types) any help?

5. If you're lucky enough to have a band, what about their sound? What are the pluses and minuses of having the bass go DI into the board (no amp), micing his amp, or just using the amp solo? What about running the keyboard in stereo or mono?

6. Recommendations on compression. Every vocal channel? Specific vocals? Whole mix?

7. What's a polite way of telling the lady on the 3rd row of a 700 seat church "Look, if you didn't want it loud, DON'T SIT ON THE THIRD ROW!!"

8. Tips and tricks on loading, unloading, storing, sorting, packing, etc. equipment to make setup and takedown faster and easier.

9. What tools and supplies do you carry in your road emergency kit? (Connectors, soldering iron, adapters, fuses, batteries, etc.)

10. What are some of the more useful books, papers, websites, etc. for learning more about live sound.

11. Interview some of the FOH guys of the big groups to get their hints, tricks and tips.

12. Worst case scenarios. You're booked in a gymnasium. You're booked outside and it's kinda looking like rain. Two other groups pull up to the same church, all of you booked by seperate people that thought "they" were in charge of music this month.

I've got a dozen more, but considering this is but a monthly column, that's probably enough for now.




Commented by On 05/12/2003
I read your article monthly and enjoy it. Aren't you Gold City's new Sound Engineer? I was at a concert last month and remember them announcing you. They have never sounded better.


Commented by On 05/15/2003
I like all of Growler's questions, but I would like to add a slight twist to one. What would be the bare minimum set up a new group would want to have? Since money usually IS an object, this might help some of those folks that have not yet started, figure out exactly what they need to get started.


Commented by On 05/25/2003
A minimum set-up for a new group, I think would depend on the structure of the group. i. e. Trio/quartet singing with tracks would only need the basics, mixer, a good dual graphic eq or parametric, power amp, mics,speakers(mains,2 (mon 2) & accessories. A group w/ live musicians would need added speakers (2)depending on number of musicians, another amp, & good equalizer for proper
mix separate from house or front mon mix. We can design & build a system for your group.
Thanks for this time & space


Commented by On 05/31/2003
HI ME AND MY WIFE ARE CURRENTLY LOOKING AT STARTING A GOSPEL GROUP.WE SING WITH SOUND TRACKS NOW COULD YOU RECOMMEND SOME EQUIPMENT THERE IS SO MUCH OUT THERE.AS YOU NO GOSPEL GROUPS SING OUTDOORS ALSO SO I WOULD NEED EQUIPMENT TO HANDLE OUTDOORS COULD YOU GIVE ME SOME NAMES OF GOOD PLACES TO BUY EQUIPMENT


Commented by On 04/18/2004
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