Jim Hill and the Golden Keys Quartet
The Golden Keys Quartet was a long-standing "weekend" quartet. This group from Portsmouth, Ohio was formed in 1945. They were originally known as the Campmeeting Boys. The original members were Jim Hill, Harold Patrick, and John Conley. In 1947, a fourth member was added to the group and they became known as the Golden Keys Quartet. The quartet was a very popular group in and around the Ohio area for many years.
First tenor Jim Hill and second tenor Harold Patrick were soon joined by baritone Pat Duncan and bass Clarence Claxon. Harold Patrick also played the piano for the quartet. This personnel began to expand their music outside their home area and become well known in the gospel music circles. Except for a short time that Hill spent with the Ambassadors Quartet, this lineup remained intact for many years.
The Golden Keys Quartet soon grew from a local part-time group to one that became quite active in the gospel music field. They were one of few part-time groups invited to perform at the National Quartet Convention. Their vocal arrangements were not extremely challenging, but the emotion with which they presented their songs made them a very exciting group from the stage.
Jim Hill, manager of the quartet, grew up in Portsmouth, Ohio. Jim studied opera and auditioned with the Cincinnati Conservatory of Music and the Metropolitan Opera Company. However, his background in church music prevailed, and he continued in his quest to perform gospel music.
The Golden Keys Quartet continued with the same personnel for several years. This led to an outstanding vocal blend and a great working relationship. Their programs often showcased the exciting tenor vocals of Jim Hill on sacred classics such as "The Ninety and Nine," "I Walked Today Where Jesus Walked," "God Bless America" and "The Stranger of Galilee."
The group performed many top gospel songs of the day, but their real forte was performing the new compositions of Jim Hill. Jim Hill wrote the gospel music classic, "What a Day That Will Be" in the early 1950s. It was first presented by the Golden Keys Quartet and first recorded by the Homeland Harmony Quartet. Jim is a very humble man and at first didn't realize the impact of this great song. It became one of the most requested songs by the Golden Keys Quartet. Soon many other professional gospel quartets added the song to their programs. The Speer Family had a very popular arrangement of the song and Ben Speer eventually published it. It will forever be associated with Jim Hill.
The Golden Keys Quartet not only furthered the writing career of Jim Hill, but they also were responsible for bringing the songs of then fledgling songwriter Bill Gaither to the gospel music community. The Golden Keys Quartet often performed in concert with the early version of the Gaither Trio consisting of Bill and his siblings, Danny and Mary Ann. This association led the Golden Keys Quartet to introducing many new Gaither compositions on their albums and concert appearances.
Not only did the Golden Keys Quartet appreciate the writing abilities of Bill, but they also recognized the vocal talents of Bill's younger brother, Danny. After Danny Gaither graduated from college, he moved to the Portsmouth area to begin his teaching career. Recognizing this nearby talent, Harold Patrick relinquished his role as lead singer for the Golden Keys Quartet and Danny Gaither moved into this position which he held until 1966. With Patrick able to concentrate on the piano and Gaither's Hess-like vocals, the Golden Keys Quartet continued to polish their sound and continued to be in demand by the gospel quartet circuit.
The popularity of the Golden Keys Quartet may have eventually led to their disbandment. All of the members had full time jobs, but the requests for bookings continued to come in. Although they were in great demand, it still wasn't enough for the group to become a full-time quartet. However, Jim Hill felt the calling to full time gospel music, and accepted the call from Doyle Blackwood to join the "New" Stamps Quartet in 1962. Jim's dynamic vocal talent led the Stamps to even greater heights in the gospel music community. It has been said that the Stamps first Skylite recording with Jim Hill, "What a Day That Will Be," was by far the biggest selling album at the 1963 National Quartet Convention when it was first released for sale.
Jim Hill continued his career with the Stamps Quartet for several years before joining Hovie Lister and the Statesmen Quartet as lead singer. He brought several of his top songs to the Statesmen Quartet. They soon became some of the most requested songs on the Statesmen Quartet programs.
Jim was replaced in the Golden Keys Quartet first by Al Harkins and later by Dean Hickman. Danny Gaither left the group in 1966 and Harold Patrick again resumed double duty as pianist and lead vocalist with the quartet before the Golden Keys Quartet retired their name. After the Golden Keys Quartet disbanded, Harold Patrick joined the Gospel Harmony Boys as pianist and played for them for several years. He also was a member of other groups including the Sentries and the Guardians.
Bill Gaither has often given the Golden Keys Quartet credit for bringing his songs to the gospel music forefront. One of the first Gaither songs ever produced on sheet music featured a picture of the Golden Keys Quartet on the cover page. The Golden Keys Quartet introduced several Gaither songs such as "I'm in Love with Jesus," "Have You Had a Gethsemane," "I've Been to Calvary," "Old Fashioned Meeting," and "Lovest Thou Me" to the gospel singing world.
May I step on my soapbox for a moment? If I were "King for a Day," there are three gentlemen I would immediately induct into the Southern Gospel Music Hall of Fame. Those gentlemen are Joe Roper, Bill Shaw, and Jim Hill. I have discussed the talents of Mr. Roper in an earlier history lesson about the Melody Boys Quartet and will discuss the talents of Mr. Shaw in an upcoming lesson.
Jim Hill certainly belongs among the elite in gospel music. His talents as a singer and song writer certainly merit his inclusion in the SGMA Hall of Fame. Songs such as "Each Step I Take," "For God So Loved," "No One Ever Cared So Much," and "I'll Make it to Heaven" are gospel music classics. "What a Day That Will Be" is one of the most popular songs in the history of gospel music. He was nominated for a Dove Award as Songwriter of the Year in 1969. Mr. Hill's great tenor voice and stage presence made him one of the finest communicators in the history of gospel music. Let's hope that he will soon be included as a member of the Southern Gospel Music Hall of Fame. Jim continues to be a crowd favorite when he performs at the Grand Ole Gospel Reunion and on selected Gaither projects.
The Golden Keys Quartet should also be remembered as a group that demonstrated that hard work and dedication can make for an outstanding career for the "weekend warriors." This fine quartet helped chart the course for several elite gospel music artists. They created a great beginning point for several that have affected the gospel music industry in an important way.
I'd like to thank my friend and fellow historian, Dean Adkins, for providing indispensable information for this lesson. When I have questions about gospel music, I turn to Professor Adkins for the answers. Thanks, Dean!
Author: .(JavaScript must be enabled to view this email address)
Written: 06/30/2004
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Category: SG History 101
Comments: 30
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Once more, a well-written and thought out article on a group that few these days may talk about, but certainly one that left an indelible imprint on gospel music!
Another fantastic article full of stuff I didn't know Dr. Crenshaw!
The Golden Keys were a group that could really deliver a lot of energy onstage & were a tough group to follow.
I echo your sentiments regardig the HOF qualifiacations of Bill Shaw, Jim Hill & Joe Roper.
I appreciate teh kind words you said about me - my contribution was small.
Dean
Once again,John, you gave me info that I did not know. You, Dean, and others are a walking resource center. Thanks!! Bill
Totally awesome! Thanks for the history. I knew that Jim Hill had sung with the Golden Keys, but I did not know much about them. Thanks for providing more interesting and informative history about another great gospel quartet. I feel as if I am attending a gospel music university here at sogospelnews.com and on the message board. Thank you, John, Dean Adkins, and Inquirer 1.
Me?? What did I do...I just read and enjoy these monthly lessons just like you all...if Dean's contribution was small, mine is nonexistent!
I was truly blessed and moved at your article!
Hey a great job on Golden Keys- Thanks for info on a fine group that
Excellent article John. Always enlightening. Thank you so much for sharing the past with us! Hopefully, in some way, we can all learn from the greats of the past.
Another great article, John. I never got to see the Golden Keys, and I only stumbled upon on of their records, and that was with Dean Hickman, but I was impressed with what I heard then. Does anyone know whatever happended to Dean Hickman?
Deon Unthank
SoGospelNews.com
My Blog
Some people are like Slinkys… Not really good for anything, but they
still bring a smile to your face when you push them down a flight of stairs - Author Unknown
Deon
What I meant by my earlier post concerning you, Inquirer 1, was that I appreciate all the helpful information you have given to my questions about various gospel music questions. I was not necessarily referring to the present article written by John. I am sharing much of my vintage gospel music collection with my 6 year old daughter. She loves hearing classic quartets like the ones John writes about in his articles here.
Mike, thanks for your comments..it's my pleasure to share information about the music I love with people interested in hearing about it!
Brian,
Thanks for the information. I had wondered a long time about the whereabouts of Dean Hickman. I only have one record, but I was impressed with their sound when Dean was singing Tenor with them.
Unfortunately I never got to hear anything of them when Jim Hill was Tenor, I'm sure that was great also.
Deon Unthank
SoGospelNews.com
My Blog
Some people are like Slinkys… Not really good for anything, but they
still bring a smile to your face when you push them down a flight of stairs - Author Unknown
Great article, John C! You rule!
Thank you for another great SG History Lesson. My first introduction to the Golden Keys Quartet was back in the 1960s by listening to their LP "The Ninety and Nine", which I recognized as being a great recording. Jim Hill's voice was quite distinctive. I told James Blackwood that I felt that Jim had a great voice. Later, I saw the quartet in Houston in a Battle of Songs concert.
Dean Hickman is now singing with the Guardians.
Deon,
What a super article! As a boy, i grew up in Lincoln County, WV. A big fan of The Gospel Harmony Boys, I often was able to hear The Golden Keys. My mother performed with a local group and still today, she is my favorite alto singer, especially when she performed "What a Day That Will Be". Naturally, i am a huge fan of the late Harold Patrick, and as a collector, i have been fortunate to add several Golden Keys albums to my library. My favorite song of Jim Hill's is also worth mentioning. "Hold ON". Let me also echo, his worthiness to be inducted into the HOF. Thank you for sharing your wealth of knowledge.
I can't find Jim Hill singing "What a day that will be" on any of my old records. Where can I get one?
One interesting fact not mentioned about Harold Patrick was that he was the first non-family member of the Happy Goodman Family when he served as the piano player for this group that later became quite popular and enjoyed SGM fame.
The legacy of THE GOLDEN KEYS continues with a female trio from Portsmouth, Ohio known as RADIANT HEART. Harold's daughter, Kim, is a part of this trio and their sound is awesome; their spirt fabulous; and their unwavering commitment steadfast. I highly recommend these ladies for any concert venue or church. We always count it a privilege when we have the opportunity to be booked together.
To Danhy Clubb:
Thanks for a great article! The Golden Keys Quartet is one of my cherished childhood memories. When I was a young boy, our family attended the Mabert Road Baptist Church in Portsmouth, Ohio (where the group originated). I loved hearing Jim, Patrick and John sing. My Dad had passed away when I was four years old, and Jim Hill was my hero (still is).
I also grew up with the Golden Keys Quartet literally. I have so many found memories of the time that I spent with them with one in particular, my brother Pat Duncan. After the quartet disbanded, Pat became a song evangelist traveling extensively. During that time, he held positions at Olivet Nazarene college in IL and the Circleville Ohio Bible College. It is ironic that I discovered this site by accident yesterday Nov 1, which was the anniversary of the death of Pat.
Thanks for this artical on the golden keys. I am the grandson of one of the greatest bass singers in the world Clarence Claxon. He is still going strong at 82 and sings on saturday nights at the paint valley jamboree in bainbridge ohio. I hope the music of these wonderful guys will last forever.
I am the grandson of one of the best bass singers in all of gospel music Clarence Claxon. He can be heard most Saturday nights at the Paint Valley Jamboree in Bainbridge Ohio. I know reside in Texas and only get to sing with him every now and then, but I assure you his voice is better now at 82 than it was with the Golden Keys. I thank everyone that still remembers the quartet and what they did for gospel music.
I was fortunate to be raised in the Baptist Church which Harold Patrick, John Conley, and Jim Hill originated. I remember the revivals and the inspiration as well as the camp meetings held in Wheelersburg Ohio with The Golden Keys Quartet, The Speers, The LaFevors, The Happy Goodman Family. What a wonderful childhood I had listening to the greats at my home church. God is so good.
I had the distinct pleasure of producing a radio show for Mr Pat Duncan called, "Grand Old Gospel," while I was a student at Olivet Nazarene University in the late 1980's! What a joy it was to work with this man! Not only a great singer in his own right, but also a great treasure-trove of knowledge of both the older artists and the up and coming ones during that time! I will always be grateful for his easy-going style and for his help in introducing me to this Southern Gospel Music that I have come to know and love.
I first love the golden Keys , they use to sing at the little church in waverly, ohio c.c.c union I'm sure they all remember. Well Pat was from here. And I have been looking high and low for a resitation that Pat Duncan gave so elequently , it was about when God made the Earth, It was so wonderful, and that has been 40 some years ago and I had a copy but lost it, can anyone find it for me, I know he has passed away , such a loss, but I sure hope I can track down the resitation, if you can e-mail it to me , you would have made an ole lady, christian happy. Thanks ..............Love ya all June
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